![]() ![]() It is in daily prayer that we repent before God, and true repentance is a prerequisite to having and maintaining the gift of God’s Spirit (Proverbs 1:23 Psalm 51:2-3, 10-11). Prayer develops your close personal relationship with God! That gives you His Spirit of power in your life. Prayer needs to be a daily constant effort. Often, those who doubt whether they have the Holy Spirit are lacking regular, heartfelt, fervent prayer. We must ensure that we do not get into this state spiritually it could be eternally fatal.įollowing are two of the most important keys to keeping the fire of the Holy Spirit alive. He realized he was on the verge of losing it all. To keep God’s Holy Spirit alive and active, you must work at it. Given time, it will simply go out altogether. Neglect the Holy Spirit, and it will become dormant. One of the surest ways to quench the Holy Spirit is through simple neglect! Neglect of prayer and study. A fire left to itself will eventually go out. The same kind of constant attention is required to keep the light of God’s Holy Spirit alive in your own heart and mind. True to human nature, Israel’s priests did eventually fail in their duty, and the fire went out. That required putting wood on it daily and ensuring it did not go out. To keep the fire going, the priests had to be attentive. The fire shall ever be burning upon the altar it shall never go out.” Leviticus 6:12-13 say, “And the fire upon the altar shall be burning in it it shall not be put out: and the priest shall burn wood on it every morning, and lay the burnt offering in order upon it and he shall burn thereon the fat of the peace offerings. We can see an example in the Old Testament that illustrates the point. Paul warned in 1 Thessalonians 5:19, “Quench not the Spirit.” Could that happen today? Yes, it can. If God’s Holy Spirit is not burning brightly in your life, there is always a reason. Both the relaxed shuffle supporting "Say It (With Your Heart)" and the funky closer, "Back to the Levee," are worthy of notice, particularly the latter, as it sets the tone for their next effort, the Jai Winding-produced Up in 1980.From time to time, a person asks me, “Do I have God’s Holy Spirit?” In most cases, when someone asks that question, they are in a heavy trial or perhaps a very low spiritual ebb. That groove carried over onto the excellent "Thunder n' Lightnin'," and presents a further opportunity to show off the band's superb singing. The jazzy "Feel It" is buoyed by Medica's expressive bass and a sultry melody recalling "Back Slider" from their first long-player. While on the subject of adding that little extra something, helping out with a string section score is legendary arranger Gene Page on Pollard's power ballad "You Be My Vision." Although they certainly get the Memphis vibe down, Le Roux fall short on their cover of Otis Redding's "Fa-Fa-Fa-Fa-Fa (Sad Song)," which sounds too polished around the edges to be a truly effective reworking. As if continuing on a contextual leitmotif, the driving "When I Get Home" is a celebratory indulgence, sporting more impressive licks from Roddy and Peters with Roddy's rapid-fire piano interjected for optimum effect. Le Roux's considerable vocal harmonies shine during the chorus, bearing rich textural similarities to the three-part blends created by America and the Eagles. The aforementioned "Call Home the Heart" is an introspective heart/homesick tale from the road. Pollard's songwriting remains consistent, with Haselden also contributing two of the album's best entries, the affective "Call Home the Heart" and the provocative fusion-filled "Thunder n' Lightnin'." The opening track boogies with a tasty Cajun syncopation, highlighted by performances from Medica and Roddy. Bobby Campo (trumpet, flügelhorn, flute, congas, percussion, vocals), Tony Haselden (electric guitar, vocals), Leon Medica (bass), David Peters (drums, percussion), Jeff Pollard (electric and acoustic guitars, lead vocals), and Rod Roddy (Rhodes electric piano, acoustic piano, clavinet, Oberheim synthesizer, vocals) once again combine MOR rock with jazz, funk, and of course Creole R&B. Keep the Fire Burnin' - the second serving of sonic gumbo from the Crescent City sextet then known as Louisiana's Le Roux - offers up another batch of strong material, keeping in line with the band's self-titled predecessor. ![]()
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